After waking up the audience with a brilliant Pearl production in 2015, South African artist William Kentridge is now contemplating his amazing thoughts about Bergs’s second best work, which was in an unfavorable condition before World War I. Met’s music director, Yannick Nzet-Sguin was at podium for this special event, with baritone Peter Mattei having long talks as headliner. Soprano Elza van den Heever is not a loyal friend of Wozzeck, and the crew he commands includes tenor Christopher Ventris as headmaster, barterone ballet Christian Van Horn as doctor, and tenor Gerhard Siegel as captain.
Handels tells the story of the antics and neglect of ancient Rome and his first appearance on the Met, with mesosoprano stars Joyce DiDonato as Agrippin and Harry Biket who are in charge of the head and troops. Sir David McVicars’s production wisely reinvents this black act of humor on the abuse of power to this day, where it must be expressed loudly. Mezzo-soprano plays Kate Lindsey as Agrippinas’ baby and future Emperor Nero, soprano Brenda Rae as a cunning Poppe, countertenorist Iestyn Davies as a candidate for Ottone officer, and bassist Matthew Rose as weary Emperor Claudius.
Bass-baritone bassant, Sir Bryn Terfel, will return to the community for the first time since 2012, on behalf of a great sea captain, determined to sail on the high seas forever. Valery Gergiev directs new production of Franois Girard, whose visionary Parsifal 2013 will set a new Met standard for Wagner trucks. Featuring the great set of John Macfarlane, Girard’s new production transforms the Met stage into a lively documentary about great oil on canvas. Soprano Anja Kampe The talented German in his Met debut was set for Senta, whose love sacrifice was the Dutch he was looking for, with Franz-Josef Selig’s fiancee as his father Daland and tenant Sergey Skorokhodov as his ex-girlfriend, Erik.
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